This course proposes an examination of race with a two-pronged approach: one that broadly links the study of race in the United States with a multi-disciplinary approach and also simultaneously situates specific conversations within the immediate location of Philadelphia, home to the University. The broad historical examination advances key concepts of race and racialization, explores key theoretical methodologies, and highlights major scholarly works. For example, students will engage with the study of race through Africana Studies, Asian American Studies, Urban Studies and through Latin American & Latinx Studies. Readings and methodologies will introduce students to critical issues in education, in literature, in sociology, and with methods in oral history, archival work, and ethnography. Most importantly, this extensive approach highlights the impact of race across multiple communities including Black Americans, immigrant populations, and communities that are marginalized to emphasize connections, relationships, and shared solidarity. Students are intellectually pushed to see the linkages and the impacts of racism across and among all Americans historically and presently. As each theme is introduced a direct example from Philadelphia will be discussed. The combination of the national discourse on race, with an intimate perspective from the City of Philadelphia, engages students both intellectually and civically. The course will be led by Fariha Khan but guest instructors with varied disciplinary backgrounds and guest speakers from local community organizations. Each instructor not only brings specific disciplinary expertise, but also varied community engagement experience.

This course explores the intersection of gender, sexuality, and race in Asian America. Through interdisciplinary and cultural texts, students will consider how Asian American gender and sexualities are constructed in relation to racism while learning theories on and methods to study gender, sex, and race. We will discuss masculinities, femininities, race-conscious feminisms, LGBTQ+ identities, interracial and intraracial relationships, and kinship structures.

Although Asians have lived in the Americas for centuries, the Asian American community and experience tends to be defined by the post-1965 wave of immigration to the United States. In an effort to correct this narrative this course will explore the histories, experiences, and contributions of some of the forgotten Asians of the Americas. In particular, we will focus on the earlier labor migrations of Chinese and South Asian individuals to the Caribbean and the United States. The experiences of these individuals, who built railroads, cut sugarcane, and replaced African slave labor, complicate our understandings of race today. By examining the legal and social debates surrounding their labor in the 19th century and exploring how their experiences are forgotten and their descendants are rendered invisible today, we will complicate what is Asian America and consider how this history shapes immigration policies today.

This is a course about music as sonic cultural practices of intercultural communication and as lived experience in which racial, ethnic, diasporic, religious, gendered, sexual, national identities are formed and transformed. This course specifically examines how various ideas and meanings of Asia America are enacted and embodied through music performances and other sonic practices. The course also considers how the production and consumption of Asian American as cultural difference through music and sound impacts the making and unmaking of multiculturalism and the American self. Topics will include questions about how music and sound is mobilized within the history and stories of Asian immigration and migration to the U.S.; the impact of the transnational circulation of Asian and Asian American music; representations of AAPs in popular culture; the potentials and limits of music to mitigate social and political problems encountered by Asian American communities; and community building through sonic encounters of Afro-Asian, Asian-Latinx and Caribbean, East Asian/South Asian American solidarities. Critical and reflexive theoretical approaches from ethnomusicology, anthropology, and performance studies, among other related disciplines, will be used to examine a range of styles and genres through close listening to assigned sound recordings and music ethnographies. No previous musical training is required for this course.

Providing a broad introduction to the history of activism in the United States, this course

This course is an advanced-level seminar on Asian American culture and politics. See the English Department's website at www.english.upenn.edu for a description of the current offerings.

This course explores the material culture of china-mania that spread across England and Europe in the eighteenth century, from chinoiserie vogues in fashion, tea, porcelain, and luxury goods, to the idealization of Confucius by Enlightenment philosophers. How was Asia was imagined and understood by Europeans during a period of increased trade between East and West? The course texts include travel writing, poetry, essays, and plays. Students will work closely with rare books and with art objects at the Penn Museum and the Philadelphia Museum of Art. The course is designed to provide historical background to contemporary problems of Orientalism, Sinophilia, and Sinophobia.

This course will provide an introduction to the history of Asian Pacific Americans, focusing on the wide diversity of migrant experiences, as well as the continuing legacies of Orientalism on American-born APA's. Issues of race, class, gender, and sexuality will also be examined.

An overview of Asian American literature from its beginnings at the turn of the twentieth century to the present. This course covers a wide range of Asian American novels, plays, and poems, situating them in the contexts of American history and minority communities and considering the variety of formal strategies these different texts take. See the English Department's website at www.english.upenn.edu for a description of the current offerings.

“Kids know more about dinosaurs than they do about Asian Americans.” So says Dr. Karen Su, founding director of PAACH (Pan-Asian American Community House) at Penn, and though she’s talking about children’s literature, her sentiment might apply to adults, too. Who are the Asian Americans? What does it mean to be non-Black POC in this country? How do religion, ethnicity, gender, class, nationality, and immigration status define this group? How do we discuss all this while being inclusive of both “us” and “them”? This course will explore these questions through the lens of an introductory fiction, nonfiction, and poetry creative writing workshop. We’ll follow the traditional workshop format of critiquing each other’s short stories, essays, and poems in class, along with close reading works by authors as established as Jhumpa Lahiri, Maxine Hong Kingston, and Amy Tan, and as contemporary as Lisa Ko, Bushra Rehman, Ocean Vuong, and Mira Jacob. We’ll use these texts as springboards to examine representations of identity, inclusion, and exclusion, and we’ll be invited to consider these representations in the media around us as well as in our local communities. Finally, we’ll think through how we can contribute to discussions of these topics with our own artistic voices. This course is cross-listed with Asian American Studies.